The talented folks at antrepo4.com are giving away a beta version of an all-caps font family that is, in their words, “A little industrial, little vintage, little condensed, little bold.” Public Gothic has a great old-school look that falls into the same category as typefaces like Univers Ultra Condensed, Trade Gothic, and Tungsten.

Download it here.

Russian illustrator Iv Orlov’s style blends geometric and organic shapes to create a cut-paper look that’s mildly reminiscent of Saul Bass’s work during the 1950’s.

Via pixelelement.

The Olympic Collectors Commission of the The International Olympic Committee in Lausanne has compiled an incredible online collection of posters relevant to the games and the surrounding events. The design influences, which come from both the time period and the geographical location, provide a wonderful glance into the cultures that expressed them.

Iceland-born illustrator Siggi Eggertson’s work is tough to categorize. It’s similar to pixel art, with the repetition of various colored shapes being used to create a larger image. However, unlike pixel art, Eggertsson utilizes the shapes created by overlapping forms as details in his complex and beautiful illustrations.

Supernova from Siggi Eggertsson on Vimeo.

Alex Cornell’s work is classy. The time-bending effects used (photo cross-processing, yellowed paper, and other grungy “flaws”) look nice, but type selection and layout style are what I really like about Cornell’s designs. For example, on several of his projects, Futura is used in a way which is reminiscent of Mid-Century museum signage; centered and tracked out. You can see more examples of Cornell’s work on his Behance page and on Scott Hansen’s ISO50 blog.

J.R. Geigy was a Swiss chemical company in the  50’s and 60’s. Their in-house designers played an integral role in the history of the Swiss International style. The company’s designs recently received quite a spotlight, via an exhibition at the Design Museum Zurich and the publication of Corporate Diversity : Swiss Graphic Design by Geigy. One would think that designs like these would require the use of Helvetica, but the Akzidenz Grotesk typeface was undeniably successful in many of the designs. 

A short film was also created regarding the exhibition.
Via AisleOne

I was immediately attracted to the use of clean type and noisy photography in the album art for Brian Gossett’s, The Heist Series. However, the series goes deeper than just the pretty covers, it also has a great concept. Gossett’s love for the heist film genre becomes apparent through his vast knowledge of the films’ scores and his ability to compile the compositions in a cohesive manner. Check out his site, where you can download the mixes and read his wonderful accompanying descriptions.

Scott K. MacDonald (SMAC) is an illustrator/animator living in Vancouver, BC. His style references comic art and street culture. I’m quite partial to the way he represents fashion in his illustrations, he pays attention to intricacies while maintaining the crisp simplicity that permeates his work. Some highlights include the Tyson 85 Book (which I’d love to get my hands on) and the Cold Kids Series.

Via Signalnoise.com

Maraid has quite an array of vintage matchbook labels from Eastern Europe on Flickr. It’s fascinating to see the effects created by the bleeding inks and the unpredictable registration associated with printed materials of this scale.

Via Sci-Fi-O-Rama

Delicious Industries has a wonderful collection of Which? (The Consumer’s Association Magazine) covers ranging from the 1960’s to the 1990’s. The covers were designed by London’s Banks & Miles (Colin Banks and John Miles). Check out the Flickr group.